Gullivers Travels :: essays research papers

â€Å"GULLIVER’S TRAVELS† a Satire Jonathan Swift, an Anglo-Irish writer, was born in Dublin on the 30th October 1667. he was one of the greatest satirists of the universal literature. His pamphlets have a stinging sarcasm through which he accused moral-political vices or religious ones (ex. â€Å"A Tale of a Tub†, †A Meditation upon a Broomstick†) or pamphlets which defend the Irish cause (â€Å"The Drapiers Letters†). His fame was brought by â€Å"GULLIVER’S TRAVELS†. This is a realistic parody of social dynamic, remarkable for the greatness of its metaphors, consciousness of vision and its style. GULLIVER’S TRAVELS is a satire in four parts as the author himself called it. In the first pages of the book we are told that Gulliver began his voyages as a ship surgeon and afterwards as captain of other ships. The four parts of the book represent four voyages: A Voyage to Lilliput; A Voyage to Brobdingnag; A Voyage to Laputa, Balnibarbi, Glubbdubdrib, Luggnagg and Japan and A Voyage to the Country of the Houyhnhnms. Each of them represents a different type of society and in each of them the object of the author’s irony is different. The first trip satirises the moral and spiritual pettiness of humanity, revealing to the reader the foolish reasons for starting a war between two countries that were once good friends; the absurd rules of society. This six-inch tall people of Book I reveal themselves to be as small morally as they are physically. The revelation of their pettiness comes gradually to the reader. Gulliver’s hosts gossip meanly about each other; they fight over such trivial things as which end of an egg should be broken first; and their king is angry when Gulliver refuses to help him bring a neighbour country into slavery. In this book, number I, we encounter satire on travel books and travellers. Swift is mainly protesting against the ridiculous travellers who report absolutely everything about his trip. Book II â€Å"A Voyage to Brobdingnag† is a satire on the wickedness and vanity of mankind. Gulliver, just recently big in a land of little people, is now little in a land of giants. Although it might be too much to say that in this way Swift prepared the reader to expect that Gulliver won’t live very well in this country, judged by the moral norms of big people; but that is in fact what happens. When the judgement is made, it appears that Gulliver’s race is one of â€Å"little odious vermin†.